Sundance film festival: a once-in-a-lifetime dinner party from 1972 is transformed into a thrilling and inspiring hang-out movie
In August 1972, the experimental film-maker William Greaves convened a once-in-a-lifetime dinner party at Duke Ellington’s townhouse in Harlem. The occasion was a celebration and reconsideration of the Harlem Renaissance, the watershed African American cultural movement of the 1920s. The guest list included its still-living luminaries, some of the 20th century’s most influential – and still underappreciated – musicians, performers, artists, writers, historians and political leaders, all in their sunset years. Over four hours and untold glasses of wine, talk wheeled freely from vivid recollections to consternation, lively anecdotes to contemplations of ongoing struggle. Greaves, by then niche renowned for his innovatively meta documentary Symbiopsychotaxiplasm: Take One, lightly directed the conversation but otherwise let the energy flow. He considered it the most important footage he ever recorded.
You could probably release that remarkable footage in full, completely unedited and unstructured, and still have a good documentary; every piece is now, 50 years later – the same distance to us as the Harlem Renaissance was to them – a bridge to a time no living person can remember, each face and gesture informed by decades of aftermath no straightforward nonfiction film on the period could capture. But Once Upon a Time in Harlem, directed by Greaves’s son David, who was one of four cameramen that day, manages to seamlessly clip and contextualize the party into 100 mesmerizing minutes. It’s both a sublime hang-out of a film and a celebration of individual achievements, a fascinating map of a long-ago scene and a referendum on legacy.
Once Upon a Time in Harlem is screening at the Sundance film festival and is seeking distribution
Continue reading...from The Guardian https://ift.tt/QX1My3e