Bank of England cuts interest rates to lowest level since 2023.

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Government announces return to Erasmus study scheme in 2027.

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As Facundo Buonanotte saddled up beside Alejandro Garnacho on the advertising hoardings in front of the pocket of away supporters after the latter opened the scoring at a jam-packed Cardiff City Stadium, for a moment or two everything seemed all right in the often chaotic world of Chelsea. Then, with 15 minutes remaining, the hosts equalised through David Turnbull’s sublime diving header and another awkward 48 hours were on the cards for Enzo Maresca.

Questions would surely have been asked of him by the Chelsea hierarchy had the League One leaders reached the Carabao Cup semi-finals at their expense. Fortunately for Maresca and Chelsea, the substitute Pedro Neto struck a late goal, his low shot sparing the Premier League side any embarrassment. Garnacho’s second in stoppage time sealed the result.

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Company to scrap several electric models and focus on gas and hybrid as US president pulls support for EVs

Ford said on Monday it will take a $19.5bn writedown and is killing several electric-vehicle models, in the most dramatic example yet of the auto industry’s retreat from battery-powered models in response to the Trump administration’s policies and weakening EV demand.

Ford, based in Dearborn, Michigan, said it will stop making the F-150 Lightning in its electric vehicle form, but will pivot to producing an extended-range electric model, a version of a hybrid vehicle called an Erev, which uses a gas-powered generator to recharge the battery.

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The new head of Britain's overseas spy agency has warned about an interlocking web of security challenges.

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Michael Jolley steps down as manager of non-league side Bury after just two days following a backlash against his appointment.

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Barbican, London
An all British programme featured music by Thea Musgrave, Vaughan Williams and William Walton, with Antoine Tamestit an expressive and sensitive soloist in the latter’s Viola concerto

Antonio Pappano’s evangelical embrace of British music continued apace in a concert featuring a welcome rarity by Thea Musgrave, William Walton’s strangely neglected Viola Concerto, and the latest in his ongoing Vaughan Williams cycle, the evocative A London Symphony.

Musgrave, still composing at 97, wrote Phoenix Rising in 1997 for the late Andrew Davis, to whom Pappano dedicated this concert. A 23-minute rollercoaster, it pits a blackguardly timpanist and his stick-wielding allies against a devil-may-care hornist and his brassy backup band. The horn player enters from off stage, the timpanist stalks off in a huff, and somewhere in the middle, for no immediately discernible reason, a phoenix soars aloft in an iridescent haze of tuned percussion. Pappano and the London Symphony Orchestra gave it a thorough workout with marimba, vibraphone, glockenspiel, xylophone and tubular bells creating a magical aura. The musicians certainly revelled in its prickly harmonies, though the theatrical elements might have been pushed further.

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