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السبت، 31 يناير 2026

Why Djokovic needs Melbourne win more than Alcaraz with history on line https://ift.tt/wyz53eT Whoever wins the Australian Open men's singles final will create history - but it feels like Novak Djokovic needs victory more than Carlos Alcaraz. https://ift.tt/xjQfhX4 January 31, 2026 at 04:16PM

يناير 31, 2026
Why Djokovic needs Melbourne win more than Alcaraz with history on line https://ift.tt/wyz53eT  Whoever wins the Australian Open men's singles final will create history - but it feels like Novak Djokovic needs victory more than Carlos Alcaraz. https://ift.tt/xjQfhX4 January 31, 2026 at 04:16PM
Whoever wins the Australian Open men's singles final will create history - but it feels like Novak Djokovic needs victory more than Carlos Alcaraz.

from BBC News https://ift.tt/wyz53eT
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Ekitiké and Wirtz sink Newcastle before Konaté seals welcome Liverpool win https://ift.tt/Vt3rAUh Andy Hunter at Anfield You could say Hugo Ekitiké was the one who got away from Newcastle last summer, except there were so many. The Liverpool striker gave Eddie Howe further cause for regret with a gamechanging, match-winning performance at Anfield, however, as Arne Slot’s side found the consistency that has eluded them too often this season to record a second impressive win in succession. Ekitiké struck twice against the club that had agreed a deal to sign him from Eintracht Frankfurt before Liverpool swept in. Their initial outlay of £69m, rising to £79m, is proving money very well spent. Newcastle were the dominant force before Ekitiké’s swift brace transformed the contest. Florian Wirtz added a third in the second half before Ibrahima Konaté, playing for the first time since the death of his father, capitalised on a Nick Pope error to complete an important victory. Konaté was understandably in tears as the moment sunk in. Continue reading... https://ift.tt/KaLixU3 February 01, 2026 at 12:11AM

يناير 31, 2026
Ekitiké and Wirtz sink Newcastle before Konaté seals welcome Liverpool win https://ift.tt/Vt3rAUh Andy Hunter at Anfield 
You could say Hugo Ekitiké was the one who got away from Newcastle last summer, except there were so many. The Liverpool striker gave Eddie Howe further cause for regret with a gamechanging, match-winning performance at Anfield, however, as Arne Slot’s side found the consistency that has eluded them too often this season to record a second impressive win in succession.

Ekitiké struck twice against the club that had agreed a deal to sign him from Eintracht Frankfurt before Liverpool swept in. Their initial outlay of £69m, rising to £79m, is proving money very well spent. Newcastle were the dominant force before Ekitiké’s swift brace transformed the contest. Florian Wirtz added a third in the second half before Ibrahima Konaté, playing for the first time since the death of his father, capitalised on a Nick Pope error to complete an important victory. Konaté was understandably in tears as the moment sunk in.
 Continue reading... https://ift.tt/KaLixU3 February 01, 2026 at 12:11AM

You could say Hugo Ekitiké was the one who got away from Newcastle last summer, except there were so many. The Liverpool striker gave Eddie Howe further cause for regret with a gamechanging, match-winning performance at Anfield, however, as Arne Slot’s side found the consistency that has eluded them too often this season to record a second impressive win in succession.

Ekitiké struck twice against the club that had agreed a deal to sign him from Eintracht Frankfurt before Liverpool swept in. Their initial outlay of £69m, rising to £79m, is proving money very well spent. Newcastle were the dominant force before Ekitiké’s swift brace transformed the contest. Florian Wirtz added a third in the second half before Ibrahima Konaté, playing for the first time since the death of his father, capitalised on a Nick Pope error to complete an important victory. Konaté was understandably in tears as the moment sunk in.

Continue reading...

from The Guardian https://ift.tt/Vt3rAUh
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الجمعة، 30 يناير 2026

Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary https://ift.tt/QX1My3e Adrian Horton in Park City Sundance film festival: a once-in-a-lifetime dinner party from 1972 is transformed into a thrilling and inspiring hang-out movie In August 1972, the experimental film-maker William Greaves convened a once-in-a-lifetime dinner party at Duke Ellington’s townhouse in Harlem. The occasion was a celebration and reconsideration of the Harlem Renaissance, the watershed African American cultural movement of the 1920s. The guest list included its still-living luminaries, some of the 20th century’s most influential – and still underappreciated – musicians, performers, artists, writers, historians and political leaders, all in their sunset years. Over four hours and untold glasses of wine, talk wheeled freely from vivid recollections to consternation, lively anecdotes to contemplations of ongoing struggle. Greaves, by then niche renowned for his innovatively meta documentary Symbiopsychotaxiplasm: Take One, lightly directed the conversation but otherwise let the energy flow. He considered it the most important footage he ever recorded. You could probably release that remarkable footage in full, completely unedited and unstructured, and still have a good documentary; every piece is now, 50 years later – the same distance to us as the Harlem Renaissance was to them – a bridge to a time no living person can remember, each face and gesture informed by decades of aftermath no straightforward nonfiction film on the period could capture. But Once Upon a Time in Harlem, directed by Greaves’s son David, who was one of four cameramen that day, manages to seamlessly clip and contextualize the party into 100 mesmerizing minutes. It’s both a sublime hang-out of a film and a celebration of individual achievements, a fascinating map of a long-ago scene and a referendum on legacy. Once Upon a Time in Harlem is screening at the Sundance film festival and is seeking distribution Continue reading... https://ift.tt/tpPfzoy January 30, 2026 at 11:47PM

يناير 30, 2026
Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary https://ift.tt/QX1My3e Adrian Horton in Park City 
Sundance film festival: a once-in-a-lifetime dinner party from 1972 is transformed into a thrilling and inspiring hang-out movie

In August 1972, the experimental film-maker William Greaves convened a once-in-a-lifetime dinner party at Duke Ellington’s townhouse in Harlem. The occasion was a celebration and reconsideration of the Harlem Renaissance, the watershed African American cultural movement of the 1920s. The guest list included its still-living luminaries, some of the 20th century’s most influential – and still underappreciated – musicians, performers, artists, writers, historians and political leaders, all in their sunset years. Over four hours and untold glasses of wine, talk wheeled freely from vivid recollections to consternation, lively anecdotes to contemplations of ongoing struggle. Greaves, by then niche renowned for his innovatively meta documentary Symbiopsychotaxiplasm: Take One, lightly directed the conversation but otherwise let the energy flow. He considered it the most important footage he ever recorded.

You could probably release that remarkable footage in full, completely unedited and unstructured, and still have a good documentary; every piece is now, 50 years later – the same distance to us as the Harlem Renaissance was to them – a bridge to a time no living person can remember, each face and gesture informed by decades of aftermath no straightforward nonfiction film on the period could capture. But Once Upon a Time in Harlem, directed by Greaves’s son David, who was one of four cameramen that day, manages to seamlessly clip and contextualize the party into 100 mesmerizing minutes. It’s both a sublime hang-out of a film and a celebration of individual achievements, a fascinating map of a long-ago scene and a referendum on legacy.

Once Upon a Time in Harlem is screening at the Sundance film festival and is seeking distribution
 Continue reading... https://ift.tt/tpPfzoy January 30, 2026 at 11:47PM

Sundance film festival: a once-in-a-lifetime dinner party from 1972 is transformed into a thrilling and inspiring hang-out movie

In August 1972, the experimental film-maker William Greaves convened a once-in-a-lifetime dinner party at Duke Ellington’s townhouse in Harlem. The occasion was a celebration and reconsideration of the Harlem Renaissance, the watershed African American cultural movement of the 1920s. The guest list included its still-living luminaries, some of the 20th century’s most influential – and still underappreciated – musicians, performers, artists, writers, historians and political leaders, all in their sunset years. Over four hours and untold glasses of wine, talk wheeled freely from vivid recollections to consternation, lively anecdotes to contemplations of ongoing struggle. Greaves, by then niche renowned for his innovatively meta documentary Symbiopsychotaxiplasm: Take One, lightly directed the conversation but otherwise let the energy flow. He considered it the most important footage he ever recorded.

You could probably release that remarkable footage in full, completely unedited and unstructured, and still have a good documentary; every piece is now, 50 years later – the same distance to us as the Harlem Renaissance was to them – a bridge to a time no living person can remember, each face and gesture informed by decades of aftermath no straightforward nonfiction film on the period could capture. But Once Upon a Time in Harlem, directed by Greaves’s son David, who was one of four cameramen that day, manages to seamlessly clip and contextualize the party into 100 mesmerizing minutes. It’s both a sublime hang-out of a film and a celebration of individual achievements, a fascinating map of a long-ago scene and a referendum on legacy.

Once Upon a Time in Harlem is screening at the Sundance film festival and is seeking distribution

Continue reading...

from The Guardian https://ift.tt/QX1My3e
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Chris Mason: What Starmer's China reset tells us about his foreign policy https://ift.tt/eOC9VIj The prime minister has set out his vision - and now begun to match it with actions and overseas visits. https://ift.tt/nor6sL7 January 30, 2026 at 11:38PM

يناير 30, 2026
Chris Mason: What Starmer's China reset tells us about his foreign policy https://ift.tt/eOC9VIj  The prime minister has set out his vision - and now begun to match it with actions and overseas visits. https://ift.tt/nor6sL7 January 30, 2026 at 11:38PM